Can writers’ rooms continue to justify creativity in the name of hashing out “uncensored,” hackneyed, misogynistic personal anecdotes? And can they justify driving away people who stand to bring more diversity and a wider range of experience to writer’s rooms? One of the fallacies highlighted by #MeToo’s revelations is the notion that people need to be offensive, rude, or otherwise fucked up in order to be creative—that making other people feel like shit while they’re trying to do their jobs is a necessary part of the process.