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Quotes tagged ‘Abstract Expressionism’

(15 total)

I was taken away from my little village when I was five years old yet all my vital memories are of these first years, These were the days when I smelled the bread, I saw my first red poppy, the moon, the innocent seeing.

— Arshile Gorky, artsy.net

The issue for me, and I think it existed for all the fellows [ New York School ]. What are we going to paint?

— Barnett Newman, amazon.com

I don't think painters have particularly bright ideas. [What do they have?] I guess their talent of painting things.

— Willem de Kooning, amazon.com

Everything that passes me I can see only a little of, but I am always looking. And I see an awful lot sometimes.

— Willem de Kooning, dekooning.org

Most of the paint I use is a liquid, flowing kind of paint. The brushes I use are used more as sticks rather than brushes the brush doesn’t touch the surface of the canvas, it’s just above.

— Jackson Pollock, homepages.neiu.edu

I paint on the floor and this isn’t unusual, the Orientals did that.

— Jackson Pollock, homepages.neiu.edu

I don't use the accident, I deny the accident.

— Jackson Pollock, amazon.com

I noticed when I had something photographic, like a mouth it gave me a point of reference. It was something to hold onto.

— Willem de Kooning, amazon.com

Everyone who creates anything knows, there is a moment. When a third hand is doing it.

— Philip Guston, vimeo.com

There is something that is deathlike about making a unity which is quickly grasped.

— Philip Guston, vimeo.com

I've always thought that a painter or artists first duty is to be free, to have freedom.

— Philip Guston, vimeo.com

The paintings that didn't make it if you move a form over 6 inches it wouldn't matter. However in these paintings if you move something a half an inch it would matter. There is a sense of inevitability in the image.

— Philip Guston, vimeo.com

It's a kind of obsessive image in which there are no corrections. But that's not the usual. Usually it's an approximate subject a free floating subject. In which I apply my means of painting unto

— Philip Guston, vimeo.com

It's almost as if I instinctively, or compulsively ( perhaps that's better ) started to get involved in something that I was involved in much earlier in my career ( 30s/40s )

— Philip Guston, vimeo.com

I have no trouble having a lot of things on my mind

— Philip Guston, vimeo.com

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