“In Poor Things, a young woman, played by Stone, experiences life through the eyes of a child, by way of some fantasy-science trickery. There’s a standout moment in which Stone’s character becomes aware of the concept of dancing, prompting her to stumble her way to the dance floor for her first attem…”— Nadira Goffe, slate.com
“I was still in college when Night Of The Living Dead came out, and when I went to see it the first time, I went in the afternoon. The place was full of kids, mostly from five to eleven. I have never in my life, from the time I was a kid until now, been in an audience where children were so quiet. Th…”— Stephen King, web.archive.org
“It was a weird year for cinema, but there were plenty of great films. It would be an honor to see these get a nod.”— The New York Times, nytimes.com
“What do all the best movie chefs have in common? For one, they’re not just good at what they do.”— Nikita Richardson, grubstreet.com
“Yes, it is all shockingly wicked and evil and vile. Shouldn’t we maybe just leave it at that?”— Richard Lawson, vanityfair.com
“A man is apt to see his life as cinema, with himself in the lead, and any accomplished partner may eclipse that story — so why wouldn’t the movie husband have this reaction?”— Miles Klee, melmagazine.com
“Some true movie fans crave a more immersive experience. Standing where the characters in their favorite films stood. Taking in the same view.”— Maggie Fremont, apartmenttherapy.com
“I don’t want to watch any more films in which all the female characters are killed.”— Caspar Salmon, pajiba.com
“Cinema is the heir of all artistic cultures, as is the nation itself that elevated it for the first time in all history – both in estimation and creatively – to the very heights of art, and it is the heir of all cultures of the preceding ages.”— Sergei Eisenstein,
“The hieroglyphic language of the cinema is capable of expressing any concept, any idea of class, any political or tactical slogan, without recourse to the help of a rather suspect dramatic or psychological past.”— Sergei Eisenstein, casaruibarbosa.gov.br
“Now why should the cinema follow the forms of theater and painting rather than the methodology of language, which allows wholly new concepts of ideas to arise from the combination of two concrete denotations of two concrete objects? Language is much closer to film than painting is.”— Sergei Eisenstein, books.google.com
“American capitalism finds its sharpest and most expressive reflection in the American cinema.”— Sergei Eisenstein, en.wikiquote.org