“I tell you, man, when our first record came out, I was shocked how many people related to some of that stuff. Something like 'Alive,' so many people dealt with death through that song. Like people dealt with the death of love through 'Black' and so many people dealt with suicide through 'Jeremy.' The kind of letters that got through to me about those songs, some of them were just frightening. It's just so fuckin' weird. You write about this shit, and you're suddenly the spokesman for a fuckin' generation," he laughs, and it's a bitter, scary laugh, nothing funny about it at all. "Think about it, man," he says. "Any generation that would pick Kurt [Cobain] or me as its spokesman—that must be a pretty fucked up generation, don't you think? I mean, that generation must be really fucked up, man, really fuckin' fucked up...”