nightshirt, n.: I am comfortable enough with you to wear my most comfortable clothes in your presence.
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David Levithan
David Levithan (born September 7, 1972) is an American young adult fiction author and editor. His first book, Boy Meets Boy, was published by Knopf Books for Young Readers in 2003. He has written numerous works featuring strong male gay characters, most notably Boy Meets Boy and Naomi and Ely's No Kiss List. At 19, Levithan received an internship at Scholastic Corporation where he began working on the The Baby-sitters Club series. Levithan still works for Scholastic as an editorial director. Levithan is also the founding editor of PUSH, a young-adult imprint of Scholastic Press focusing on new voices and new authors. PUSH publishes edgier material for young adults and is where Patricia McCormick got her start with 2002's Cut. In an interview with Barnes & Noble, Levithan claimed that he learned how to write books that were both funny and touching from Judith Viorst's Alexander and the Terrible, Horrible, No Good, Very Bad Day. He continues to work as both a writer and editor saying, "I love editing just as much, if not more than writing". Levithan's first collaboration with Rachel Cohn, Nick and Norah's Infinite Playlist, was published in 2006 and adapted for the big screen in 200
nimble, adj.: It's not enough to be quick on your feet with me; you have to be quick with your heart, ready to catch the moods as they fall.
nippy, adj.: When you put a chill in my heart, I burn harder.
nocturne, n.: The night isolates us in this bed, the darkness murking away the distractions so I can hold you and that can be enough.
nomenclature, n.: I pay attention to how you introduce me, and get far too much satisfaction when you call me yours in some way.
nominate, v.: In the middle of the night, with adamant, sleep-deprived logic, I decide the one thing I'd bring to a desert island is you.
nonfiction, adj.: We’re sold the fantasy novel (called a romance), but we live the story where fantasies only work when they tie to what’s real.
nonstop, adj.: If we want this flight to last, we’re going to have to break every now and then for refueling.
nonplus, v. What do you expect me to do when you ask me, ‘What do you expect me to do?’ – how can you expect two confusions to add up to a solution?
nobody, n.: I do not want to be this person, not to you or anyone else. We are all somebody, even to strangers.
nondisclosure, n.: A hard part of love is accepting that you won't tell me everything, even though you can tell me anything.
noncombatant, n.: When the day has sunk you, don't come home and drag me down; ask me to be the buoy instead.
noninclusive, adj.: You say of course I’m your type, but I often feel like I’m your typo.
nonexclusivity, n.: We both feel the pull of attraction elsewhere, but can’t let it pull us too far away from each other.
nonesuch, n.: You will never be perfect or even perfect for me, but you will be good enough to love, and that will be perfectly what I want.
'All I want is you' is not entirely true. I want so much more, and with you I think I can get it.
I'm not good at relationships I always manage to find the flaws sometimes in others but mostly my own. I foretell the ending then go and create the cause save myself and end up alone.
You like someone who can't like you back because unrequited love can be survived in a way that once-requited love cannot.
This is why we call people exes, I guess – because the paths that cross in the middle end up separating at the end. it’s too easy to see an X as a cross-out. it’s not, because there’s no way to cross out something like that. the X is a diagram of two paths.