David Wojnarowicz

David Michael Wojnarowicz ( VOY-nə-ROH-vich;September 14, 1954 – July 22, 1992) was an American painter, photographer, writer, filmmaker, performance artist, song-writer/recording artist and AIDS activist prominent in the New York City art world. 2Biography Wojnarowicz was born in Red Bank, New Jersey, and later lived mostly with his mother in New York City, where he attended the High School of Performing Arts for a brief period. A victim of childhood abuse, he lived for a time during his teenage years as a street hustler; he graduated from the High School of Music and Art in Manhattan. After a period outside of New York, he returned in the late 1970s, where he quickly emerged as one of the most prominent and prolific of an avant-garde wing that mixed media, made and used graffiti and street art; his first recognition came from stencils of houses afire that appeared on the exposed sides of buildings in the East Village. He made super-8 films, such as Heroin, Beautiful People with Jesse Hultberg, began a photographic series of Arthur Rimbaud, did stencil work, collaborated in the band 3 Teens Kill 4 who released the independent EP No Motive in 1982, and exhibited his work in well-known East Village galleries, notably Civilian Warfare, Ground Zero Gallery NY, Public Illumination Picture Gallery, Gracie Mansion and Hal Bromm. Wojnarowicz was also connected to other prolific artists of the time, appearing in or collaborating on works with artists like Nan Goldin, Peter Hujar, Luis Frangella, Karen Finley, Kiki Smith, John Fekner, Richard Kern, James Romberger, Marguerite Van Cook, Ben Neill, Marion Scemama and Phil Zwickler. For some years, until Hujar's death of AIDS in 1987, he and Hujar were lovers. Hujar's death moved Wojnarowicz's work into much more explicit activism and political content, notably around the injustices, social and legal, inherent in the response to the AIDS epidemic. In 1985, he was included in the Whitney Biennial, the so-called Graffiti Show. In the 1990s, he sued and successfully issued an injunction against Donald Wildmon and the American Family Association on the grounds that Wojnarowicz's work had been copied and distorted in violation of the New York Artists' Authorship Rights Ac