When we remember our former selves, there is always that little figure with its long shadow stopping like an uncertain belated visitor on a lighted threshold at the far end of an impeccably narrowing corridor.
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Vladimir Nabokov
Vladimir Vladimirovich Nabokov (/nəˈbɔːkəf, ˈnæbəˌkɔːf, -ˌkɒf/; Russian: Влади́мир Влади́мирович Набо́ков, pronounced [vlɐˈdʲimʲɪr nɐˈbokəf], also known by the pen name Vladimir Sirin; 22 April [O.S. 10 April] 1899c – 2 July 1977) was a Russian-American novelist and entomologist. His first nine novels were in Russian, but he achieved international prominence after he began writing English prose. Nabokov's Lolita (1955), his most noted novel in English, was ranked fourth in the list of the Modern Library 100 Best Novels; Pale Fire (1962) was ranked 53rd on the same list, and his memoir, Speak, Memory (1951), was listed eighth on the publisher's list of the 20th century's greatest nonfiction. He was a finalist for the National Book Award for Fiction seven times. Nabokov was an expert lepidopterist and composer of chess problems. 2Life and career 3Russia Nabokov was born on 22 April 1899 (10 April 1899 Old Style), in Saint Petersburg,b to a wealthy and prominent family of the Russian nobility. His father was the liberal lawyer, statesman, and journalist Vladimir Dmitrievich Nabokov (1870–1922) and his mother was the heiress Yelena Ivanovna née Rukavishnikova, the granddaughter of a millionaire gold-mine owner. His father was a leader of the pre-Revolutionary liberal Constitutional Democratic Party and authored numerous books and articles about criminal law and politics. His cousins included the composer Nicolas Nabokov. His paternal grandfather, Dmitry Nabokov (1827–1904), had been Russia's Justice Minister in the reign of Alexander II. His paternal grandmother was the Baltic German Baroness Maria von Korff (1842–1926
Remembrance, like Rembrandt, is dark but festive.
Memory: Decalcomaniac romantic vividness.
A good and strong memory is a tower in the mist.
The Past, then, is a constant accumulation of images. It can be easily contemplated and listened to, tested and tasted at random, so that it ceases to mean the orderly alternation of linked events that it does in the large theoretical sense.
A definite picture that he knew he had never seen in reality— remained within him more real than any actual memory.
And I have still other smothered memories, now unfolding themselves into limbless monsters of pain.
The more you love a memory, the stronger and stranger it becomes.