Realtalk: Writing is a career. It has a community. You have colleagues. To suggest that you don't need or shouldn't want any of these things is ridiculous. Colleagues help each other out.
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Sam Sykes
Sam Watkins is an American epic fantasy writer who publishes fiction as Sam Sykes. His debut trilogy of novels, the Aeons' Gate series, was appreciated by critics for its characterization and dialogue, and for its deconstruction of standard fantasy tropes, but criticized for its meandering, derivative plot. He is the son of Diana Gabaldon, author of the Outlander serie
A writing career is like a pangolin driving a semi truck through a taco bell. Everyone is very impressed, but no one stops to think how many fortunes had to align to make that happen.
A lot of aspiring writers ask me about how much they should be writing per day. The answer, of course, is about half as much as you spend rolling on the floor and sobbing.
If you're having trouble writing fight scenes, I wholeheartedly recommend watching any Jackie Chan movie. Study not only how the choreography keeps things moving across a screen, but also how much emotion he conveys in a fight.
Something we don't talk about when it comes to worldbuilding is the power of NOT explaining something. Sometimes, just throwing out a word and letting the audience wonder what that could be is a good thing.
Writing a plot is super easy. First, think of a character. Then, think of what they want. Then, spend 600-odd pages keeping them from getting it.
Tonight I sat down to write and found nothing happening. This has happened to me ten thousand times before and no time has it ever been helped by berating myself, yet that's immediately what I did. It's weird how this job induces selective amnesia.
Ideally, every event in a book should serve a purpose. But it’s totally fine to write a scene because you want to and figure out its purpose later.
Tools for Writing: 1. Computer 2. Thesaurus 3. Shovel 3a. Hole you dig in your yard to escape the terror that your writing might simply be screaming into a void from which no sound, nor dream escapes 3b. None at all 4. Coffee or tea (gotta have that caffeine!)
Worldbuilding works when it's used to facilitate imagination. It doesn't work when it's used to stifle it. The goal is to make it seem like the world is alive and exists with or without you. When it's used as a gate to insist that certain things couldn't happen, then it no longer serves a purpose…
A novel has roughly six stages of 'done.' 1: 'I know how it ends, but not how to do it.' 2: 'I know how to do it, but haven't written it.' 3: 'I wrote it, but it sucks.' 4: 'I wrote it again, but it needs work.' 5: 'I finished the work, but I'm still not happy.' 6: 'good enough'
I always prefer writing about people. People grow, change and sometimes change back, but they remain persistently irritating and open-ended until they die. And sometimes afterward, too.
Protip: If you write a bunch of words you hate, it doesn't make you a bad writer. Sometimes you have to write a lot of bad to figure out what's good.
WRITING PROTIP: Finding it hard to maintain concentration? Just stop thinking about all the ways it could fail and how the world might be completely destroyed before you finish!
There is absolutely zero way to predict how your creative career will go. You could be read by a producer and get a movie tomorrow. You could hit it big 10 years from now. No one knows. The anxiety, of course, comes from the fact that it's hard to plan a future around something no one knows anything…
A good exercise is to take everything out of the scene you’re writing, leaving only the dialogue, and see if you can still tell who’s talking.
If you view the writing process as a creative wellspring from which ideas simply come out fully-formed and beautiful, you'll be disappointed. If you view it as a craft you work on and can improve, you'll know a bad day of writing is something you can fix.