[Sonny pays a visit to his sister Connie. He is surprised to find her subdued and evasive] Sonny: [surprised] What's the matter? Huh? What's the matter? [He looks at her swollen face and understands what has happened. He pulls away to go after Carlo... ] Connie: [grabbing his shoulders] It was my…
Catalog
Francis Ford Coppola
Francis Ford Coppola (US pronunciation: /ˈkoʊpələ/; born April 7, 1939), also credited as Francis Coppola, is a semi-retired American film director, producer, and screenwriter. He is considered to have been a central figure of the New Hollywood wave of filmmaking. After directing The Rain People (1969), he co-wrote the 1970 film Patton, earning the Academy Award for Best Original Screenplay along with co-writer Edmund H. North. His directorial prominence was cemented with the release in 1972 of The Godfather, a film which revolutionized movie-making in the gangster genre, earning praise from both critics and the public before winning three Academy Awards—including his second Oscar (Best Adapted Screenplay, with Mario Puzo), Best Picture, and his first nomination for Best Director. He followed with The Godfather Part II in 1974, which became the first sequel to win the Academy Award for Best Picture. Highly regarded by critics, it brought him three more Academy Awards: Best Adapted Screenplay, Best Director and Best Picture, and made him the second director, after Billy Wilder, to be honored three times for the same film. The Conversation, which he directed, produced and wrote, was released that same year, winning the Palme d'Or at the 1974 Cannes Film Festival. He next directed 1979's Apocalypse Now. While notorious for its lengthy and strenuous production, the film was widely acclaimed for its vivid and stark depiction of the Vietnam War, winning the Palme d'Or at the 1979 Cannes Film Festival. Coppola is one of only eight filmmakers to win two Palme d'Or award
Women and children can afford to be careless, but not men.
Bonasera: I believe in America. America has made my fortune. And I raised my daughter in the American fashion. I gave her freedom but I taught her never to dishonor her family. She found a 'boy friend,' not an Italian. She went to the movies with him. She stayed out late. I didn't protest. Two…
You talk about vengeance. Is vengeance going to bring your son back to you? Or my boy to me?
[speaking to himself, practicing his speech] Don Corleone, I am honored and grateful that you have invited me to your home on the wedding day of your daughter. And may their first child be a masculine child. [then, starting over]
[Tessio brings in Luca Brasi's bulletproof vest, delivered with a fish inside] Sonny: What the hell is this? Clemenza: It's a Sicilian message. It means Luca Brasi sleeps with the fishes.
I don't like violence, Tom. I'm a businessman; blood is a big expense.
Sollozzo: Bene, Don Corleone. I need a man who has powerful friends. I need a million dollars in cash. I need, Don Corleone, all of those politicians that you carry around in your pocket, like so many nickels and dimes. Don Corleone: What is the interest for my family? Sollozzo: Thirty percent. In…
Michael: All right. This one time I'll let you ask me about my affairs. Kay Adams: Is it true? Is it? Michael: No. [Kay smiles and walks into his arms] Kay Adams: I guess we both need a drink, huh? [Kay goes to the kitchen to fix a drink, but sees Peter Clemenza, Rocco Lampone, and Al Neri enter…
Tom Hagen: Mr. Corleone is Johnny Fontane's godfather. Now Italians regard that as a very close, a very sacred religious relationship. Jack Woltz: Tell your boss he can ask for anything else, but this is one favor I can't grant him. Tom Hagen: Mr. Corleone never asks a second favor once he's refused…
Don Corleone: We have known each other many years, but this is the first time you've come to me for counsel or for help. I can't remember the last time you invited me to your house for a cup of coffee, even though my wife is godmother to your only child. But let's be frank here. You never wanted my…
Michael: My credit good enough to buy you out? Moe Greene: Buy me out? [Fredo laughs nervously] Michael: The hotel, the casino. The Corleone Family wants to buy you out. Moe Greene: The Corleone Family wants to buy me out? No, I buy you out, you don't buy me out. Michael: Your casino loses money,…
Kay Adams: Michael, you never told me you knew Johnny Fontane! Michael: Sure, you want to meet him? Kay Adams: Well, yeah! Sure. Michael: My father helped him with his career. Kay Adams: How did he do that? Michael: ...Let's listen to the song. Kay Adams: [after listening to Johnny for a while] Tell…
In Sicily, women are more dangerous than shotguns.
[to Rocco, who has killed Paulie in the car] Leave the gun. Take the cannoli.
Michael: My father is no different than any powerful man, any man with power, like a president or senator. Kay Adams: Do you know how naive you sound, Michael? Presidents and senators don't have men killed. Michael: Oh. Who's being naive, Kay?
Only don't tell me you're innocent. Because it insults my intelligence and makes me very angry.
Johnny Fontane: [discussing his problems] I don't know what to do, Godfather. My voice is weak, it's weak. Anyway, if I had this part in the picture, it puts me right back on top, you know. But this... this man out there. He won't give it to me, the head of the studio. Don Corleone: What's his name?…
[his last words] I'm a retired investor living on a pension. I came home to vote in the presidential election because they wouldn't give me an absentee ballot. [Seconds later, Rocco walks up to Roth and shoots him in the stomach, killing him]