[to Moira] Take care of him. [she goes and stands next to Erik and Riptide, Azazel, and Angel all join as well] Hey, Beast! Never forget – mutant and proud! [they disappear]
Catalog
Jane Goldman
Jane Loretta Anne Goldman (born 11 June 1970) is an English screenwriter, author and producer. She is mostly known for co-writing, with Matthew Vaughn, the screenplays of Kingsman: The Secret Service (2014) and its sequel Kingsman: The Golden Circle (2017), based on the comic book series Kingsman created by Dave Gibbons and Mark Millar, as well as X-Men: First Class (2011), Kick-Ass (2010) and Stardust (2007). Goldman also worked on the story of X-Men: Days of Future Past (2014), the sequel to First Class, in partnership with Vaughn. Both met high critical praise for their partnership works. The Woman in Black (2012) was the first solo screenplay by Goldman. She also wrote the script for Miss Peregrine's Home for Peculiar Children, a 2016 film adaption of the novel, for Tim Burton. She is known as well for writing the books Dreamworld (2000) and The X-Files Book of the Unexplained (1997), and presenting her own paranormal TV series, Jane Goldman Investigates, on the channel Living, between 2003 and 2004. 2Early life Goldman was raised in a "liberal, middle class" family in north London, the only child of a Jewish father and a Buddhist mother. She attended the King Alfred School in Hampstead until the age of 15 before moving to the United States to follow Boy George on tour. Upon her return to the U.K., she took a job as an entertainment reporter with the Daily Sta
[Erik goes to CIA facility to break out Emma Frost] Erik Lehnsherr: I know we've had our differences. Emma Frost: Where's your telepath friend? Lehnsherr: Gone. Left a bit of a gap in my life, if I am to be honest. I was rather hoping you could fill it. Join us. Frost: [she notices the rest of the…
[Erik addresses the other mutants on the beach] Erik Lehnsherr: This society won't accept us. We form our own. The humans have played their hand. Now we get ready to play ours. Who's with me? [looks to Mystique] No more hiding. Charles Xavier: [she kneels by Charles] You should go with him. It's…
[Erik stops the missiles from hitting all of them but instead redirects them at the naval ships] Charles Xavier: Erik, you said yourself, we're the better man. This is the time to prove it. There are thousands of men on those ships – good, honest, innocent men! They're just following orders–…
[Erik sees Sebastian Shaw in the void] Sebastian Shaw: Erik, what a pleasant surprise. So good to see you again. [Erik enters the void] May I ask you something? Why are you on their side? Why fight for a doomed race who will hunt us down as soon as they realize their reign is coming to an end? [Erik…
[After Moira, Charles and Erik found Raven and the others are dancing to loud music and showing off their powers] Moira MacTaggert: What are you doing?! Who destroyed the statue? Hank McCoy: It was Alex. Mystique: No. Havok! We have to call him Havok. That's his name now. And we were thinking,…
[Mystique stands naked before Charles in the kitchen, just like when they first met] Mystique: You know, sometimes I wonder what my life would've been like if you haven't found me here that night. Charles Xavier: Sorry, what? You... [sees her and averts his eyes] Yaah! God's sake, Raven, where are…
[Shaw meets a Russian general in Moscow] Russian General: Hello. Sebastian Shaw: [in Russian] Once again, my sympathies for your treatment at the hands of the CIA. Russian General: These Americans are ruthless. Shaw: Now they have their missiles placed in Turkey...I expect you'll be planning new…
[Eric and Charles walk into a bar and approach Logan as he is smoking a cigar] Eric Lehnsherr: Excuse me, I'm Eric Lehnsherr. Charles Xavier: Charles Xavier. Logan: Go fuck yourself.
Charles Xavier: You have a chance to become a part of something much bigger than yourself. Erik Lensherr: What do you know about me? Xavier: Everything.
Mother: My darling. [she embraces him and speaks in a hushed voice] How are you? Schmidt: [he gestures to the soldiers to hold her back] Here's what we're going to do. I'm going to count to three... [he opens a drawer and pulls out a gun] ...and you're going to move the coin. You don't move the…
[At a Nazi concentration camp in Poland] Klaus Schmidt: [in German] Understand this, Erik...these Nazis, I'm not like them. Genes are the key, yes? But their goals? Blue eyes? Blonde hair? Pathetic. [he gives him a chocolate bar] Eat the chocolate. It's good. Want some? Erik Lehnsherr: I want to see…
[talks to a now-frozen Sebastian Shaw] If you're in there, I'd like you to know that I agree with every word you said. We are the future. But unfortunately, you killed my mother. [pulls out Reichsmark coin he gave him so long ago] This is what we're going to do. I'm going to count to three, and I'm…
The past: a new and uncertain world. A world of endless possibilities and infinite outcomes. Countless choices define our fate: each choice, each moment, a moment in the ripple of time. Enough ripple, and you change the tide... for the future is never truly set.